Sara Wong


Information









¹ Designed at The Office of Gilbert Li      
² Designed at Wedge

Project ClientTypeYear
Discover Your FutureNetflixPrint2026
Bobby H Barbecue Sauce
Bobby H Barbecue SauceBranding, packaging2026
Spring Snow
Rosanna PengTypography
2025
Ana Luisa packaging redesign
Ana Luisa NY ²
Packaging2025
Pounding the Pavement
Musée McCord-Stewart ²
Publication2025
Staff Meal
Wedge ²
Print2025
A Phillumenist Self-initiatedBranding2024
Queer Reading Series
Playwrights’ Workshop MontréalPoster2024
Mashel Teitelbaum: Terror & Beauty
Art Gallery of Ontario ¹
Publication2024
Art With Heart 2023
Casey House ¹
 Event, print2023
WORK BOOK
WORK BOOK ¹
 Branding2023
Leonard Cohen: Everybody Knows
Art Gallery of Ontario ¹Publication2023
Johannas Performing Arts Prize  
Metcalf Foundation ¹
 Event, print2023
Art With Heart 2022
Casey House ¹
 Event, print2022
Picasso: Painting the Blue Period
Art Gallery of Ontario ¹
Publication2021
Art With Heart 2021
Casey House ¹
 Event, print2021
Unperson
Magenta Foundation ¹ Publication2020
Johannas Performing Arts Prize
Metcalf Foundation ¹Branding, event, print2020
Art With Heart 2019
Casey House ¹Event, print2019
Tokyo–Yokosuka: 1976–1983Magenta Foundation ¹
Publication
2019
Edition International Art Book Fair
Edition ¹
Branding, event, print2018
Café Neon materials
Café Neon
 Print2018
Pudloo SamayualieMagenta Foundation ¹
Publication
2018
Precedent MagazinePrecedent ¹
Publication
2018
Landmarks 2017/Repéres 2017Partners in Art, Magenta Foundation ¹
Publication
2017
UofT MagazineUniversity of Toronto ¹
Publication
2017
TIFF 2017Toronto International Film Festival
 Event, print2017

sara@sarawong.ca@saraewong
Tokyo–Yokosuka: 1976–1983 Magenta Foundation
Publication2019


The Office of Gilbert Li was tasked with designing the third of an informal trilogy of monographs featuring Greg Girard’s earliest photos. His photographs from Tokyo–Yokosuka 1976–1983 present a scruffy Tokyo moments before the city exploded into the default ideal of a 21st century metropolis.
    The cover uses GT Pressura, a typeface that was inspired by letters stamped onto shipping boxes, an appropriate homage to the portside economies surrounding Tokyo and Yokosuka at the time.

CLIENT Magenta Foundation

ARTIST Greg Girard

STUDIOThe Office of Gilbert Li
CREATIVE DIRECTORGilbert Li

DESIGNERSara Wong













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